dual personalities

Tag: music

Happy Friday–like the blast of a trumpet!

by chuckofish

This Friday has been a long time coming–what a long week! But we have a three-day weekend coming up, so it’s all good.

FYI May has been a big month for birthdays already and this weekend we have two more favorites: Bob Dylan (May 24) on Saturday

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and Ralph Waldo Emerson (May 25) on Sunday!

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Those are two great reasons to celebrate this weekend! One good way to do so would be to re-read Self Reliance, which I have been meaning to do–how about you?

“Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.”

–Ralph Waldo Emerson, Self Reliance

Another way would be to watch No Direction Home (2005)–a film chronicle of Bob Dylan’s evolution between 1961 and 1966 from folk singer to rock star. Directed by Martin Scorsese, it uses archival footage and recent interviews to tell the story of the illusive Bob, who refuses “to be simplified, classified, categorized, or finalized”. And why should he be? He is, like Emerson and those other guys mentioned above, a “pure and wise spirit,” both great and misunderstood.

Dylan and Emerson are certainly on the same page. Here’s Bob:

‘Trust yourself
Trust yourself to do the things that only you know best
Trust yourself
Trust yourself to do what’s right and not be second-guessed
Don’t trust me to show you beauty
When beauty may only turn to rust
If you need somebody you can trust, trust yourself’

How Emersonian can you get?

So enjoy your weekend and trust yourself. Eat cake.

“I figure if a girl wants to be a legend, she should go ahead and be one.”*

by chuckofish

Martha Jane Canary (May 1, 1852 – August 1, 1903) was born today in 1852. She is, of course, better known as Calamity Jane. 

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Born in Mercer County, Missouri, Canary was the oldest of many siblings. Her father was a farmer. After some legal wrangling over land, the family sold their property and left Missouri in the early 1860s, heading for Montana gold. But they fell on hard times; her mother died in a mining camp in Blackfoot City, Montana, when Canary was about 9. After taking the children to Salt Lake City, her father died soon after.

Her life, already a hard one, became at that point the stuff of legend. As she became a dime-novel heroine and stage performer, she enlarged her myth with every new story. It is nearly impossible to know where the truth lies and who she really was. Well, she was and still is an intriguing oddity that fires the imagination.

Not surprisingly Calamity Jane has been portrayed by myriad actresses on the large and small screen. In the movies she has been played by Jean Arthur, Jane Russell, Yvonne De Carlo, Doris Day, Catherine O’Hara, Ellen Barkin–to name a few. On television Stephanie Powers, Anjelica Huston and Jane Alexander have attempted to represent her.

Of the movies I like The Plainsman (1936) with Jean Arthur as Calamity and Gary Cooper as Wild Bill Hickok.

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Directed by Cecil B. DeMille, it is a very exciting movie and Arthur and Cooper are well matched. I’m sure the plot has practically no basis in reality, but it is a good movie and Jean Arthur is no glamour girl. Cooper, as usual, is adorable.

I also like Anjelica Huston as Calamity in the 1995 TV mini-series Buffalo Girls, an adaption of the book by Larry McMurtry. Physically, she is the most like the real Martha Jane–tall and somewhat manly and with (we hope) a heart of gold.

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One of the most ridiculous presentations of Calamity Jane’s life is that put forth in the1953 musical Calamity Jane, starring Doris Day.

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But one can not help but love this rendition and Doris Day who always gives 110%. This film focuses on the relationship between Jane and Wild Bill (Howard Keel) and Doris gets to sing lyrics like: “At last my heart’s an open door / And my secret love’s no secret any more.” Yikes. The song won the Academy Award for Best Song that year, and with Doris singing, why wouldn’t it?

I think I will watch Doris in Calamity Jane because I DVR’d it when it was on TCM on her birthday a few weeks ago. Here’s a little something to whet your appetite:

So let’s raise a glass to Martha Jane Canary on her birthday, the American legend and the real woman, whoever she was.

*Attributed to Calamity Jane

Modern life: one, two you know what to do

by chuckofish

There are many aspects of modern life that drive me crazy and some that genuinely alarm me. But there are a few things that are pretty cool.

When daughter #1 was home and we were lunching at our favorite Cafe Osage, we both pricked up our ears when a certain song was playing in the background. “Who is that?” we both said.

We couldn’t pin it down, so daughter #1 got out her phone and opened some new-fangled app and held up her phone for a moment. “Oh,” she said, checking her phone. “It’s Steve Earle and the Del McCoury band!”

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A few days later, having ordered it on Amazon, it appeared at my door.

Pretty amazing, n’est-ce pas?

Anyway, it is not a new album (1999), but it is a very good one–great songs including a favorite of mine, “Dixieland”. You gotta love a song that a) is about the 20th Maine and Joshua Lawrence Chamberlain and b) works the unmelodic name of Chamberlain into it several times:

I am Kilrain of the 20th Maine and I’d march to hell and back again 
For Colonel Joshua Chamberlain – we’re all goin’ down to Dixieland 

The CD also includes the song “Pilgrim”, which I hope someone sings at my funeral–Steve Earle, Emmylou Harris, GIllian Welch et al would be nice, but not a deal breaker.

I am just a pilgrim on this road, boys 
This ain’t never been my home 
Sometimes the road was rocky ‘long the way, boys 
But I was never travelin’ alone 
We’ll meet again on some bright highway 
Songs to sing and tales to tell 
But I am just a pilgrim on this road, boys 
Until I see you fare thee well 

Ain’t no need to cry for me, boys 
Somewhere down the road you’ll understand 
‘Cause I expect to touch his hand, boys 
Put a word in for you if I can 

Hats off to Steve Earle and modern technology!

(Ladies and) Gentlemen, start your engines!

by chuckofish

A few weeks ago I picked up a couple of CDs at an estate sale. (Yes, I still listen to CDs!) I should have gotten a lot more at this particular sale, but I just couldn’t stand there picking through them.

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Anyway, the other morning I was listening to some of these oldies but goodies. The William Tell Overture, written in 1829 by Gioachino Rossini, was the one that really stood out for me. I mean you’ve heard it a million times–it’s a total cliche for Pete’s sake–but, boy, is it good! Try to erase the Lone Ranger from your mind. Forget about  all those cartoon characters waking up at daybreak in the pastorale section of the piece.

Imagine instead this dual personality speeding down the road, hitting all the lights on my way to work. Amazing. I recommend listening to the whole thing, but here’s the finale:

Well, I guess it is time to reacquaint myself with the classical music I grew up listening to.

What music do you listen to in order to get your motor revving in the morning?

We could open up this suitcase full of sparks

by chuckofish

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I used to be “with it”. But  they changed what “it” was.  Now what I’m with isn’t “it” and what’s “it” seems weird and scary to me.”

–Grampa Simpson, From “Homerpalooza” (Season 7, Episode 24)

Sadly, I can relate to Grampa Simpson. Can you? I guess this is an inevitable part of aging. Not that I was ever too “with it” to begin with…but a lot of modern pop culture seems “weird and scary” to me. Hello, Kim Kardashian. And The Batchelor. I don’t get that either.

However, as readers of this blog know, I have a soft spot in my heart for Eminem. I try to keep an open mind. Occasionally I even go to a concert.

Such was the case last Sunday night when I ventured downtown to the Sheldon Concert Hall to see Josh Ritter.

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Mostly I bought the tickets to see his opening act Gregory Alan Isakov. My Old Man bailed on me at the last minute (he had a headache) and so the boy stepped up and went with me. He was a good concert date.

It was a sold out concert. Unfortunately, a lot of the audience arrived during Gregory Alan Isakov’s performance which was annoying. And rude. And the poor guy’s band was not with him. They had to leave in Chicago, he explained, and so he was on his own for the rest of the tour. It had been “super fun and scary” since then.

I kind of love him for saying “super fun”.

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Gregory  epitomizes the introverted artist who must perform. And to stand up there without his band–zut alors! But I thought he was wonderful, performing his set of seven songs from numerous albums with humor and spirit.

Before his last song, he said, “I’ll leave you with a sad one, because that’s how I roll.”

Is he my kind of guy or what!

On the flip side was Josh Ritter who bounded onto the stage full of self-confidence and raring to go.

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He put on quite a show, which I enjoyed very much. His fans, who filled the theater, were enthusiastic. Two middle-aged women to our left were down-right embarrassing–swaying and giggling like teenagers. (They also made several trips to the bar, which probably explains a lot of their behavior.) Please shoot me if I ever behave like this.

We opted to leave before the encores in order to avoid the parking lot mayhem and because it was a school night after all. But I was glad I had nudged myself out of my routine.

(My thanks to the boy who took these photos on his iPhone.)

“Grant us strength and courage…*

by chuckofish

Talk about dark and dreary–that was our weekend! But it was brightened a whole lot by my Saturday outing to historic Kimmswick for lunch with my good friends.

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We dined at the celebrated “Blue Owl” restaurant. Our food was yummy and the company, as always, hilarious. Carla, our intrepid social planner, drove as usual. It is great to be like a child on these outings and just follow along. I mean that. With all my heart.

The boy came over and burned a CD for me. It is the soundtrack to the movie Inside Llewyn Davis.

Yes, that’s Justin Timberlake singing. It is a wonderful CD and I highly recommend it. (Also highly recommended by daughter #1) How can you miss with T. Bone Burnett producing? Well, you can’t.

I have also been listening to the new CD Old Yellow Moon with Emmylou Harris and Rodney Crowell.

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I believe it just won a Grammy in the “Americana” field. What is this field, you ask? I had never heard of it, but it seems to be a category where old singers are put so they can still win Grammys. I am not trying to be harsh but, c’mon,  this is a straight on Country album. I think Steve Martin and Edie Brickell were nominated in this field too. Anyway, it is a good album and I especially like their cover of the Kris Kristofferson song “Chase the Feeling” which includes the classic line: “You got loaded again, Ain’t you handsome when you’re high.”

Speaking of music, I heard that my friend Andrew Hunt will be opening for none other than (be still my heart) Dwight Yoakam

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in Austin, TX soon. He will not be with his band  Johnny Appleseed, but some other guys. Boy, wouldn’t it be great to see that concert? Okay, Dwight may not be the heart-throb he once was, but neither am I.

Saturday night I watched The Commancheros (1961) with John Wayne and Stuart Whitman.

Stuart Whitman (who replaced James Garner, Charlton Heston and several others) and the Duke in that iconic faded red shirt, leather vest and kirchief.

Stuart Whitman (who replaced James Garner, Charlton Heston and several others) and the Duke in that iconic faded red shirt, leather vest and kerchief.

It is the last film directed by one of my favorites, Michael Curtiz (Casablanca and The Adventures of Robin Hood). He was very ill, dying as it turned out, during the filming of it and John Wayne stepped in and actually directed most of the movie. He took no credit for it, of course. Any film from this era of John Wayne westerns is always a winner in my book, especially when you have had it up to here (already) with X-Game sports at the Olympics.

At church on Sunday I was confronted with the fact that they have cut out a section of my pew (fifth row, epistle side) to accommodate oldsters with walkers. Carla had warned me about this, but still it was a bit jarring on Sunday morning. I had to find a new pew, and for oldsters like me, that is not easy! C’est la vie. I’ll live.

The boy and daughter #3 came over for dinner on Sunday night. I made Episcopal souffle, a nice salad and cut up a baguette for dinner. Perfect.

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How was your weekend? Have a good week!

*…to love and serve you with gladness and singleness of heart”–BCP

“Without music, life would be a mistake.” *

by chuckofish

A lot of people in my family are extremely musical. I am not one of them. Oh, I sang in the choir at school and I still like to belt out a hymn at church. But that’s about it.

But I know what I like and I listen a lot.

As you know, I occasionally even go to a concert. In fact, in February I have tickets to see Josh Ritter and Gregory Alan Isakov at the Sheldon here in my flyover town. I am pretty darn excited. Daughter #2 gave me a Josh Ritter CD last year and two more (!) just arrived in the mail–oh boy!

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Gregory Alan Isakov is only the opening act, but I am mostly excited to see him. I have blogged about him several times, so you know how I feel.

I have also been listening to Love Has Come For You, Steve Martin’s new CD with Edie Brickell, which daughter #2 gave me for Christmas. I really like it. It is obvious that after all these years and plenty of fame and honors galore, all Steve really wants to do is play the banjo.

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And since her birthday is coming up, I thought it was only appropriate to load some Dolly in my car CD player. She is still the best.

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Also I have been listening to my young friend Andrew Hunt and his band Johnny Appleseed:

Wake up, Nashville!

What have you been listening to?

*Friedrich Nietzsche, Twilight of the Idols, or, How to Philosophize With the Hammer

The family that plays together stays together

by chuckofish

Studies show that spending leisure time with one’s family – be it playing a game of Scrabble or taking a road trip – enhances the quality of life and the relationships at home. No kidding.

Here are a few pictures of my older brother and his two children literally “playing” together when they gathered from across the country (and from Spain!) during the holidays.

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Fulbright scholar Foster and his old Pappy

Fulbright scholar Foster and his old Pappy

Picking and grinning with geologist daughter Ellen

Picking and grinning with geologist daughter Ellen

They have been playing together since they were little tykes and by now they are pretty good indeed.

Alas, we are not musicians in our family. My children did participate in band in middle school and two into high school, but none of them ultimately continued on with the clarinet, flute or violin. They all sang in the choir as well, but only the boy went on into high school with that. (He put the kobash on a Broadway career, because he thought it would be embarrassing.) I have encouraged him to re-join the adult choir at church, but, for now, that is but a pipe dream of his mother’s. Sigh.

We do not play board games in our family either. We tried that when the children were young, but the boy became hysterical when he lost, so we had to abandon games and we never went back for them. I have never been a game person myself–too many rules to learn.

But we have done plenty of playing I think. And by that I mean talking. We watch movies together and talk about them. Some families go hunting together or ski or fish. Some cook or hike. Or shop. Whatever.

It is the “together” that is important and not what you do I think. What do you do together as a family?

You know something, Wally? I’d rather do nothin’ with you than somethin’ with anybody else.
–Theodore “Beaver” Cleaver

One for the little bitty baby

by chuckofish

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Our parents were big Kingston Trio fans and I have fond memories of listening to their 1960 Christmas album, The Last Month of the Year.

The album included spirituals and Old English rounds and none of the standard stuff. Nick Reynolds said in an interview later that “musically, it came off very well; it just didn’t sell.” Well, we had a copy and we played it a lot!

Click this link for a little something to whet your appetite for the those clean-cut boys of yore.

Click here
for another version of the same song performed by the great Johnny Cash with Carl Perkins, the Statler Brothers, and all the lovely Carter ladies.

Listen to it all–you’ll be rockin’ your way closer to Christmas!

P.S. Is this where the expression “five by five” comes from?

Good tidings to Zion

by chuckofish

It is that time of year when I listen to Christmas music in my car. Don’t you? Recently I have been listening to Handel’s Messiah in the car on my daily round-trip to work. This, as you probably know, is an English-language oratorio composed in 1741 by George Frideric Handel

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with a scriptural text compiled by Charles Jennens from the King James Bible and from the Psalms included in the Book of Common Prayer.

So you know it is right up my alley.

It was first performed in Dublin on April 13, 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

Anyway, I highly recommend listening to it in the car. It’ll get you going in the morning!