dual personalities

Tag: movies

‘Tis the season or “Look Doris, someday you’re going to find that your way of facing this realistic world just doesn’t work. And when you do, don’t overlook those lovely intangibles. You’ll discover those are the only things that are worthwhile.”*

by chuckofish

Regular readers of this blog know that the dual personalities are not particularly social animals. We like to stay home, but ’tis the season, as they say, and lately I have been very busy. And please note: This was all happening during a period of snow/snowy mix/sleet.

The other night I went to our church ornament party which is a fund-raiser for Outreach. This ladies-only event is always a “hilarious” good time where 40 or so church ladies of various ages choose a wrapped ornament and then hope it won’t get stolen by the next person in that favorite holiday tradition: the Dirty Santa game. Who invented this? Thanks a lot.

The associate rector clowns around.

The associate rector clowns around.

susieries

Well, I had to fight for it, but I got the ornament I wanted!

wine

Saturday morning I ran over to church where the Christmas cookie sale/used book sale was underway and bought a bagful of books. Yay!

Later that morning my three best church girlfriends piled into Carla’s SUV for a trip to our flyover state’s first capital, the quaint town of St. Charles.

stC

It was their Christmas Walk weekend so it was very crowded despite the bitter temperatures.

street

Santa arrived and there were Victorian carol singers. Chestnuts were roasting on an open fire. There was even a band.

band

Most of the “quaint” shops are full of dreadful tourist-y merchandise, but there are some nice stores and I picked up a few things. It was a lot of fun, although super crowded.

Then we were off to our 3rd annual overnight at Monette’s Cabin, a charming bed ‘n breakfast nestled in the rolling hills of our picturesque flyover state. Last year it was 71-degrees when we arrived. This year it was 21-degrees! But we saw a lovely sunset.

IMGP0820

IMGP0821

We came prepared with lots of treats.

wino

Between the four of us rocket scientists we could not figure out how to get the DVD player to work, so we could not watch the Christmas movies I had thoughtfully packed, but oh well. We talked the night away and when we were all gabbed out we came back home on Sunday.

nextmorning

Then I talked my old man into going with me to our friendly Optimists tree lot to buy our two Christmas trees (in the snow). Now they are defrosting and I will tackle them later this week. Phew.

How was your weekend?

*Miracle on 34th Street (1947)

Let’s face it, most of us are scoffers. But moments before zero hour, it did not pay to take chances.*

by chuckofish

It’s that time of year when I get out the “Visit to Santa” photos. They are pretty special. There is undoubtedly a blog or Tumblr somewhere entitled “Unfortunate Visits to Santa” or “Ugly Children Visit Santa”. Here are a few classics from our family.

Oy Vey, Santa had a bad night before this dual personality’s visit:

santa-katie

Only a toddler husband could count what he wanted on his fingers!

santa-paul

Even Santa thought daughter #1 was ADORable!

santa-mary

The next year, the same Santa thought daughter #1’s new brother was pretty cute too.

santa-mary and wheeler

When her mother finally took this neglected third child to see Santa, she didn’t notice there was a giant hole in her red tights! So sad…

santasusie2

*Anyway, these pictures remind me that it is probably time to watch one of our favorite Christmas movies: A Christmas Story (1983)–Bob Clark’s hilarious re-telling of Jean Shepherd’s story “In God We Trust, All Others Pay Cash”.

Bumpuses!! Have a great weekend! Only 19 days ’til Christmas!

That’ll be the day!

by chuckofish

Last weekend I ended up watching three of my all-time favorite movies: Breakfast at Tiffany’s, The Searchers and The Wizard of Oz. All three should have won Best Picture Oscars, but, of course, none of them did. For me, Breakfast at Tiffany’s (1962) and The Wizard of Oz (1939) are perfect movies. I wouldn’t change a thing about either of them.

The Searchers (1956) is a great, great movie, but it is not perfect. It is arguably the pinnacle of the John Wayne-John Ford collaboration and is considered one of the greatest Westerns ever made. I watched it on TCM as part of their “Essentials” series, introduced by Robert Osborne and Drew Barrymore. I was curious to hear what they had to say. Robert Osborne, who has the best job in the world, can be quite a dolt, and he certainly was this time around.

Permit me now a little rant. Osborne said he preferred John Ford’s black and white films shot in Monument Valley. The technicolor photography of The Searchers was “lurid”. This is comparing apples and oranges. I love the black and white westerns as well, but The Searchers is a whole different scale and category. It is an epic. To give Drew credit, she said she felt like she was watching a work of art, and for once I agreed with her.

the-searchers-original1

Osborne said a lot of other stupid things, but the most egregious comment was stating that John Wayne is at his most “Duke-ish” in this movie. John Wayne is not the Duke in this movie. He is a bitter war veteran who is eaten up with hate. The woman he loves has been savagely murdered by Indians along with her husband and son. He is heart-broken and angry and hell-bent on vengeance. Is this the Duke? Hardly. (As the boy explained, “The Duke is The Fighting Seabees.”)

SearchersEthan3

No, John Wayne is acting in this movie and he is great. He should have won an Oscar for this movie. But, of course, Robert Osborne and Drew Barrymore never mention Wayne’s acting or anyone else’s for that matter. It is as if they do not expect there to be acting in a Western–there is only action, right? He did mention that for once Jeffrey Hunter had a better part than usual, but no credit was given to John Wayne.

John-Wayne-in-The-Searchers

As I said before, this is a flawed film. The great John Ford seems uneasy with the serious subject matter and he undermines Wayne’s great performance by frequently cutting from a dramatic scene to a haw-haw “my fi-an-cy” scene in an irritating way. Even at the denouement of the movie when Wayne’s character finally confronts his long-lost niece, Ford cuts immediately to Ward Bond with his pants down. Why does he do this? It is perplexing. It is, indeed, almost like two films: the one with John Wayne out on the trail and the one with the people back at home. When the two intersect, it is problematic.

But still, John Wayne is at his graceful best: throwing his hat, gesticulating and waving, galloping and shooting, and spitting out lines like,

“Well, Reverend, that tears it! From now on, you stay out of this. All of ya. I don’t want you with me. I don’t need ya for what I got to do..”

and

“What do you want me to do? Draw you a picture? Spell it out? Don’t ever ask me! Long as you live, don’t ever ask me more.”

He does it all like no one before or since. He can tell you how he feels by moving one muscle in his face. I have heard that the Duke himself considered this his greatest role and his own favorite movie. Of course he did.

IMGP0818

“…Do you think she’s talented, deeply and importantly talented?”

by chuckofish

image-1

Daughter #2 breezed into town last Tuesday and we had a wonderful time together. We shopped “small” in Kirkwood. We tried a trendy new restaurant in a converted gas station in a hipster south STL neighborhood. The food was amazing.

image-2

We caught up with her old buddy who came over for dinner. (Daughter #2 cooked.)

IMGP0769

Edwina works for Anheuser-Busch–have Bud will travel.

IMGP0770

We over-ate at the boy’s house with his in-laws on Thanksgiving and then watched Planes, Trains and Automobiles together. This picture really says it all.

photo-nov-28-7-46-44-pm

We watched one of our favorite movies together. Breakfast at Tiffany’s. Perfect.

breakfast-at-tiffanys-apartment

And then it was time for her to return to Maryland.

Alyson-Hannigan-As-Willow-Sad-Cry-Gif

Will I ever learn to take these farewells in stride? I doubt it.

This is how my mind works

by chuckofish

So we all have been preoccupied recently with the year 1963, especially with the 50th anniversary of the assassination of President Kennedy.

So I got to thinking about what would be an appropriate movie to recommend as this Friday’s pick.

So I looked up the top-grossing films of 1963. You would not believe what fun movies are on that list! Indeed, many are favorites of mine. There is hardly a serious drama in the bunch. Here are the top 16, starting with #1:

Cleopatra, How the West Was Won, It’s a Mad, Mad, Mad, Mad World, Tom Jones, Irma la Douce, The Sword in the Stone, Son of Flubber, The Birds, Dr. No, The V.I.P.s, McClintock!, Charade, Bye Bye Birdie, Move Over, Darling, Come Blow Your Horn, The Thrill of It All,

and #17: The Great Escape.

I've missed him, have you?

I’ve missed him, have you?

It is kind of eye-opening. It was a different world back then and the movie stars were different too–Elizabeth Taylor, Audrey Hepburn, Doris Day, Debbie Reynolds, Shirley MacLaine, John Wayne and Steve McQueen and this guy:

Albert Finney, you were adorable

Albert Finney, you were adorable

Not to put too fine a line on it (or to be disrespectful), but it was all downhill from November 22, 1963. The world became a depressing and chaotic place.

I was just in the second grade that fall, but I have to say I have always gravitated to the early 1960s time period as a favorite era (see above list of movies).

Flyover blondes and me

Flyover blondes and me

I guess I was happy then. My parents were still fairly young and seemed happy and not un-hip to me. We had moved into a new (old) house. Things were on an upward trajectory. I suppose that’s why.

ANYWAY, How the West Was Won has always been in my Top Ten list.

howthe

I went to see it at the movies with my best friend Trudie Glick (her birthday party) and it was practically the first movie I had ever seen at the movies. My 12 year-old brother, of course, had already seen it and he gave it an enthusiastic thumbs up. He told me about all the really good parts. I was pretty bowled over by it–remember, it was in Cinerama–and especially loved the magnificent musical score by Alfred Newman. It is the soundtrack by which I have judged all soundtracks since.

Charade, starring Audrey and Cary Grant, is another all-time favorite of mine.

charade

This rom-com is bright and light and much-copied. The original is always best! Stanley Donen’s direction is perfect–he made some great movies with Audrey Hepburn. And Cary Grant is on his A-game. Plus there is all that and wonderful European scenery and Henry Mancini music.

Move Over, Darling and The Thrill of It All are both terrific Doris Day vehicles, even with the B-Team James Garner (i.e. not Rock Hudson). The Thrill of It All in particular has been a favorite of our family: Happy Soap saved my life!

the thrill

So I leave it to you which movie to pick, but I recommend them all (maybe not Son of Flubber). No conspiracy theories for me this weekend.

Between grief and high delight*

by chuckofish

Well, as of Sunday, most of our leaves are off our trees

baretrees

and on the ground.

leavespump

Boy oh boy, are they all over the ground. We had quite a storm on Sunday morning. When I came out of church, the sky to the west was awesome.

storm

It was a record-breaking 80-degrees and sunny, but the wind was whipping up. I said to the man next to me, “We better batten down the hatches!” and my friend Carlos, stepping outside, exclaimed, “Auntie Em! Auntie Em!” Indeed.

I hurried to my car and as I drove the 5-minute trip home, the leaves seemed to attack my car. It was bizarre. As I reached my garage, the raindrops started to fall. I rushed inside to get my camera and headed back out the front door. But the rain began in earnest and then the hail, so I quickly retreated back inside. It was an amazing storm with lots of wind and hail, but it was over in about 8 minutes. Then the sun came out and the storm moved on, picking up strength on its way to Illinois where the really bad business hit–including an EF4 tornado.

I spent most of the weekend recovering from last weekend in NYC and a busy week at home. I watched When Harry Met Sally, which as you know, is a classic Nora Ephron romcom shot in and around the city. You gotta love old Billy Crystal, especially in this scene:

I also watched Martin Scorsese’s documentary The Last Waltz (1978) which is a filmed account of the Band’s farewell concert appearance on Thanksgiving Day, November 25, 1976. The Band (Robbie Robertson, Rick Danko, Levon Helm, Garth Hudson, and Richard Manuel) were joined by a dozen special guests including Bob Dylan (they were his back-up band in the 1960s), Neil Young, Emmylou Harris, Joni Mitchell, Neil Diamond, Van Morrison, Muddy Waters, Eric Clapton and more. I was not cool enough back in the day to know about it, much less appreciate it, but I can now. It was really great and I highly recommend you watch it…perhaps on Thanksgiving! (I, of course, will be watching Planes, Trains and Automobiles.)

Van, Bob and Robbie

Van, Bob and Robbie

I also watched the new documentary about J.D. Salinger on Netflix Watch Instantly.

salinger s6-c30

I watched the whole thing, but there was nothing new to me. They go into some detail about his horrible war experiences in WWII when he participated in the amphibious landing on D-Day and fought on through the Battle of the Bulge for over 200 days, including the horrendous Hurtgen Forest, and concluding in the liberation of Dachau. This is legit as it had a great effect on him. Who wouldn’t be affected by that? But mostly it is a lot of second and third-rate writers who are jealous and resentful making comments. Awful people like Gore Vidal. Why is it so hard to understand that a writer who is largely misunderstood wants to be left alone? It makes perfect sense to me. People have always had such ridiculous expectations of him. I guess it is all that unrequited love.

He was not crazy. (And neither was Holden!) Personally I think it speaks volumes that the local people of Cornish, New Hampshire closed ranks around him and protected him for all those years. They liked him. He went to the bean suppers at the Congregational Church. Also his friends, like Maxwell Perkins’ sister, protected him. It’s all the rest–the ones he wouldn’t talk to–who are so resentful. Who suggest he was pretty weird. I don’t think so.

*Franny and Zooey

Weekend DVD round-up or what I watched on the telly

by chuckofish

I watched several good movies this weekend. The first was recommended by a friend with discriminating film tastes--Sunshine (1999) starring Ralph Fiennes and a host of English and Hungarian actors.

sunshine-movie-poster-1999-1020258286

The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. Fiennes plays all three characters: the grandfather who changes his name to become a Judge, the son who converts to Catholicism to get into the right fencing club in order to win an Olympic Gold medal and the grandson who ultimately sees the futility of it all and changes his name back to Sonnenscheim (sunshine).

It is a really well done movie filmed beautifully in Europe, which makes a good point without hitting anyone over the head. One must never sacrifice one’s “self” to a government, because they are all imperfect and will betray you in the end. The grandfather who loves the monarchy is let down and the son who acquiesces to the National Socialists is betrayed by the Nazis and murdered at Auschwitz while the son watches. He, in turn, becomes a Communist after the war in order to avenge his father’s death, but comes to learn that the Communists are ten times worse than even the Nazis. He learns that one must be true to oneself and one’s family in order to breath freely.

A Canadian-Hungarian production, it was not nominated for one single Oscar–gee, I wonder why? It won several European awards and the Genie for best Canadian Film. Ralph Fiennes is outstanding, although I wonder if he has a clause written into his contract that he will participate in up to but no more than three mad, impassioned sex scenes involving standing up with a woman or in some awkward position in the woods or on a table. Because of technology, you can fast forward through these.

Anyway, it held my interest for three hours and I recommend it.

I  also watched Monsters University which I enjoyed very much.

Monsters-University

You gotta love Mike Wazowski. And this guy:

On Sunday night I watched Cabaret (1972) which I had DVR’d when it was on TCM a while ago. I have to admit, I had never seen it before!

cabaret

Directed by Bob Fosse, it stars Liza Minnelli as Sally Bowles, a nightclub performer who “romances” two men in 1930s Berlin. Liza won an Oscar and, although she plays a decadent and amoral gal, she is by far the most appealing person in the movie. However, try as she may, there is nothing remotely sexy about Liza and it all seems very tawdry and sad. Maybe that is the point. The men all look alike. It was a big hit in 1972 when I was in high school. It won eight Oscars. I’m glad I watched it, but it isn’t really my cup of tea. Give me Seven Brides for Seven Brothers any day!

This weekend was filled with lots of real-life Nazi monsters and not-so-scary animated Monsters. Weird.

Darlin’, pardon me

by chuckofish

Edith Head died in 1981 at the age of 83, but because she was honored by Google on her birthday (October 28),

edith-head-google-doodle

she has had a “new life” on the internet and in the blogosphere this week. Lots of bloggers posted about her and the memorable costumes she designed for actresses ranging from Mae West to Grace Kelly to Natalie Wood and Audrey Hepburn over her long career. Yes, she won a staggering eight Academy Awards and was nominated for 33!

edith head

I will not repeat what many bloggers have posted about the iconic designs Head provided for iconic Hitchcock and Cecil B. DeMille films. No, but I would like to mention a movie frequently overlooked when dissecting her career. It is one of the 33 for which she was Oscar-nominated: John Ford’s The Man Who Shot Liberty Valance!

Who can forget John Wayne’s double-breasted cavalry bib shirt and that terrific 10-gallon Stetson:

the-man-who-shot-liberty-valance-woody-strode-and-wayne

Or his gingham go-to-meetin’ dress shirt?

the-man-who-shot-liberty-valance

And Head must have had fun designing Lee Marvin’s Liberty Valance costume. What a menacing figure he cuts in his striped pants, exuberantly embroidered vest and Mexican hat, twirling his silver-handled quirt! His costume says: I am one mean bad-ass and don’t forget it.

Jimmy Stewart looks very John Hough-like in his suit, about to be chosen as their representative to the Constitutional Convention.

Jimmy Stewart looks very John Hough-like in his suit, about to be chosen as their representative to the Constitutional Convention.

Edith Head once said she really enjoyed designing the costumes for The Sting because they were mostly for men. I imagine she had a fine time working with John Wayne, Jimmy Stewart, Lee Marvin, and the incomparable Woody Strode!

Lest we forget: she was a very versatile lady.

P.S. She also designed the costumes for White Christmas. Who will ever forget Danny Kaye’s grey pants, grey socks, grey shoes ensemble? And, of course, these two goofballs:

White-Christmas

Friday movie pick: He which hath no stomach to this fight, Let him depart

by chuckofish

The battle of Agincourt took place on Friday, October 25, 1415 (Saint Crispin’s Day) in northern France. You can read all about it here. And here’s the rousing speech by (Shakespeare’s) Henry V. (Every day is a good day to read this out loud; you will feel smarter having done so.)

Laurence Olivier--the best Henry V

Laurence Olivier–the best Henry V

What’s he that wishes so?
My cousin Westmoreland? No, my fair cousin:
If we are mark’d to die, we are enow
To do our country loss; and if to live,
The fewer men, the greater share of honour.
God’s will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires:
But if it be a sin to covet honour,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England:
God’s peace! I would not lose so great an honour
As one man more, methinks, would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made
And crowns for convoy put into his purse:
We would not die in that man’s company
That fears his fellowship to die with us.
This day is called the feast of Crispian:
He that outlives this day, and comes safe home,
Will stand a tip-toe when the day is named,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say ‘To-morrow is Saint Crispian:’
Then will he strip his sleeve and show his scars.
And say ‘These wounds I had on Crispin’s day.’
Old men forget: yet all shall be forgot,
But he’ll remember with advantages
What feats he did that day: then shall our names.
Familiar in his mouth as household words
Harry the king, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester,
Be in their flowing cups freshly remember’d.
This story shall the good man teach his son;
And Crispin Crispian shall ne’er go by,
From this day to the ending of the world,
But we in it shall be remember’d;
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne’er so vile,
This day shall gentle his condition:
And gentlemen in England now a-bed
Shall think themselves accursed they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin’s day.

Today is also the anniversary of the Charge of the Light Brigade, a charge of British light cavalry led by Lord Cardigan against Russian forces during the Battle of Balaclava in the Crimean War in 1854.

Here is the famous poem written by Alfred, Lord Tennyson to commemorate the event. I think my older brother had to memorize this poem in fifth grade and that was my first introduction to it. My kindergarten self thought it was pretty dramatic.

The Charge of the Light Brigade

Half a league, half a league,
  Half a league onward,
All in the valley of Death,
  Rode the six hundred.
‘Forward, the Light Brigade!
Charge for the guns’ he said:
Into the valley of Death
  Rode the six hundred.

‘Forward, the Light Brigade!’
Was there a man dismay’d?
Not tho’ the soldiers knew
  Some one had blunder’d:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
  Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
  Volley’d and thunder’d;
Storm’d at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
  Rode the six hundred.

Flash’d all their sabres bare,
Flash’d as they turned in air
Sabring the gunners there,
Charging an army while
  All the world wonder’d:
Plunged in the battery-smoke
Right thro’ the line they broke;
Cossack and Russian
Reel’d from the sabre-stroke
Shatter’d and sunder’d.
Then they rode back, but not
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
  Volley’d and thunder’d;
Storm’d at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro’ the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
  Left of six hundred.

When can their glory fade?
O the wild charge they made!
  All the world wonder’d.
Honour the charge they made!
Honour the Light Brigade,
  Noble six hundred!

Where is this post going? you ask. Well now, I don’t know about you, but all this patriotic English hoo-haw puts me in the mood for some Errol Flynn! However, the film version of The Charge of the Light Brigade (1936) is notable mostly for the fact that Errol Flynn does not “get the girl” (Olivia de Haviland).

photo-La-Charge-de-la-brigade-legere-The-Charge-of-the-Light-Brigade-1936-5

No, his brother, played by the handsome Patric Knowles, does. This is hardly satisfactory.

I am more in the mood for something like Rocky Mountain (1950), which dishes up some large helpings of Confederate hoo-haw.

rocky-mountain-movie-poster-1950-1020308754

My movie pick for this week tells the story of a Confederate troop, led by Captain Lafe Barstow (Flynn), prowling the far ranges of California and Nevada in “a last desperate attempt” to build up an army in the West for the faltering Confederacy. The troop fails in its mission but the honor of the Old South is upheld as they too make a charge into “the valley of Death”. Although it features an aging Errol Flynn, it is not as bad as it sounds, due mostly to a pretty good screenplay by Alan Le May who wrote The Unforgiven and The Searchers. Also, Flynn does not phone in his performance as usual during this phase of his career, probably because he was trying to impress his co-star, the 24-year old Patrice Wymore, whom he married when filming ended.

Flynn was always impressive on horseback.

Flynn was always impressive on horseback.

Anyway, I like this movie and its old-fashioned gallantry. There is even an obsessively loyal dog. And the tune “Dixie” is prominently featured in the tear-inducing score. I am hoping that it will be a good respite from baseball stress. Our Cardinals who have…fought so well…we hope will come…

…thro’ the jaws of Death,
Back from the mouth of Hell…

Well, you get the idea. In other news: Eminem’s daughter Hailee was named homecoming queen at her high school. I don’t know about you, but this makes me very happy.

Pick me out a winner, Bobby

by chuckofish

All the excitement of post-season baseball has made me think of baseball movies. I can’t say it’s a favorite genre of mine. The popular ones like Bull Durham and Field of Dreams just don’t do a lot for me.

But I do love The Natural (1984), an adaptation of Bernard Malamud’s 1952 baseball novel of the same name, directed by Barry Levinson and starring Robert Redford.

the Natural

The Natural was nominated for four Academy Awards: Actress in a Supporting Role (Glenn Close), Cinematography (Caleb Deschanel), Art Direction (Mel Bourne, Angelo P. Graham, Bruce Weintraub), and Music* (Randy Newman). Kim Basinger was also nominated for a Golden Globe Award for Best Supporting Actress. Of course, it won nothing. And why wasn’t Barry Levinson, the director, nominated? Or Robert Redford? Please. That was the year Amadeus won a lot of awards. Best Picture. Best Director. Remember F. Murray Abraham? Neither do I. He won the Best Actor Oscar.

Well, I like Robert Redford in this movie. He played baseball in college and so maybe that is why he is very believable as a player.

Redford-natural-1984

He underplays to perfection the part of the guy whose life didn’t turn out as he expected. And he is supported by the kind of cast John Ford would have been proud of: Robert Duvall, Wilford Brimley, Richard Farnsworth, Darren McGavin. (And the ladies are pretty good too: Glenn Close and Kim Basinger!)

Speaking of Richard Farnsworth–I just love him.

Farnsworth on the left with Wilford Brimley in the dugout.

Farnsworth with Wilford Brimley in the dugout.

Farnsworth (1920–2000), you know, began his career as a stuntman, playing a bit part in Gunga Din and a soldier in Gone With the Wind. Through the years he played countless dusty cowboys in films ranging from Red River to Blazing Saddles.

The cowboy in the background--Farnsworth was the real deal..

The cowboy in the background–Farnsworth was the real deal.

He continued as such for thirty years, before being “discovered” in his fifties. He was nominated for a Supporting Actor Oscar for his role in Comes a Horseman (1978) and for Best Actor for his final film The Straight Story (1999). It goes without saying that he didn’t win either.

I guess I got a bit off the track there. Don’t act like you’re surprised.

So my Friday movie pick is The Natural. It is a fable of success. Some critics hated the storybook ending, but to me it is like all great baseball games–it ends happily and with a victory. Goodness trounces Evil.

Gus Sands: If it isn’t enough, tell us what you had in mind.
Roy Hobbs: To hit away.

Truth, Justice and the American Way, thank you very much.

Of course, I won’t be watching The Natural tonight. I’ll be watching actual baseball. (Cards vs. Dodgers)

1292825_10151729979966840_1314828289_o

Swing away, Dave.

* By the way, Randy Newman’s musical score is one of the best of all time.