dual personalities

Tag: Doris Day

“Happy Soap saved my life.”*

by chuckofish

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Doris Day died. Even though she was 97, I am still very sad. I have written about DD before. She was one of those people who was really good at everything she did–exceedingly competent. She could sing, she could dance, she was funny, and she always looked great–perfectly groomed–doing it. And you didn’t hate her either, because she didn’t appear to take her beauty too seriously.

She made everything look easy and I think that’s one of the reasons she was always underrated and never won an Academy Award etc. And she didn’t wear her suffering on her sleeve. She had a work ethic.

Well, her life has been picked apart and criticized and psychoanalyzed by many, many people–some of them the kind of fans who resent it when the object of their passion declines to be interested in them or even pretend to care anymore. Why should she? She retired thirty-something years ago. Let it go.

A couple of old guys were talking about Doris in the hallway of my flyover institute yesterday. They were saying how much they had loved her back in the day. One of them said, “I always thought she would have liked me, if we ever met…” Yes, Terry, you would have had a shot with Doris Day…but that was one of the secrets of her success, right? She seemed attainable!

Well, she brought a lot of joy into my life and she will continue to entertain people long after her death.

By the way, John Updike was a big fan too. She fascinated him and he wrote a novel whose main character is based on her–In the Beauty of the Lilies, published in 1996. And he wrote this poem:

HER COY LOVER SINGS OUT

Doris, ever since 1945,
when I was all of thirteen and you a mere twenty-one,
and “Sentimental Journey” came winging
out of the juke box at the sweet shop,
your voice piercing me like a silver arrow,
I knew you were sexy.

And in 1962, when you
were thirty-eight and I all of thirty
and having a first affair, while you
were co-starring with Cary Grant in That Touch of Mink
and enjoying, according to the Globe,
Doris’ Red-Hot Romp with Mickey Mantle,
I wasn’t surprised.

Now in 2008 (did you ever
think you’d live into such a weird year?)
when you are eighty-four and I am seventy-six,
I still know you’re sexy,
and not just in reruns or on old 45 rpms.
Your four inadequate husbands weren’t the half of it.

Bob Hope called you Jut-Butt, and your breasts
(Molly Haskell reported)
were as big as Monroe’s but swaddled.
Hollywood protected us from you,
they consumed you, what the Globe tastefully terms
the “shocking secret life of America’s Sweetheart.”

Still, I’m not quite ready
for you to breathe the air that I breathe.
I huff going upstairs as it is.
Give me space to get over the idea of you –
the thrilling silver voice,
the gigantic silver screen. Go
easy on me, Clara, let’s take our time.

–John Updike in “Endpoint and Other Poems”

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Into paradise may the angels lead you, Doris. At your coming may the martyrs receive you, and bring you into the holy city Jerusalem.

(Mark your calendar for June 9 when TCM will show Doris Day movies all day.)

*Beverly Boyer (Doris Day) in The Thrill of It All (1963)

“I had a vague idea that I’d like to see the Pacific Ocean and perhaps drown in it…”*

by chuckofish

Well, today happens to be the birthday of two of my favorite actors: Leslie Howard (1893-1943)

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and Doris Day (b. 1922).

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What a quandary this puts me in! TCM is showing Doris Day films all day:

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(so set your DVR)…

but I think I will opt for an evening of Leslie Howard. The Petrified Forest (1936) was the movie that made me a lifetime fan. I was in the tenth grade and was just dumbstruck by how great he was. I still think so.

Add Humphrey Bogart, a young and appealing Bette Davis, funny, old Charlie Grapewin and you have a stellar cast in a really good play by Robert Emmett Sherwood, who was one of the original members of the Algonquin Round Table and won four Pulitzer Prizes and an Academy Award (for the screenplay of The Best Years of Our Lives.) You can’t go wrong.

Anyway, a toast tonight to Leslie Howard AND Doris Day!

P.S. I will also toast Stephen Bochco, who died on Sunday. You remember, he was the producer behind such groundbreaking series as Hill Street Blues, NYPD Blue, and L.A. Law.  He enjoyed pushing boundaries and challenging the status quo. Those shows (especially NYPD Blue) were terrific, and so much better than anything on television today. With large ensemble casts supported by great writing, these shows were character-driven and real. Andy Sipowicz is, in my humble opinion, one of (if not) the all-time best characters in TV history.

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*Alan Squier in The Petrified Forest

“I figure if a girl wants to be a legend, she should go ahead and be one.”*

by chuckofish

Martha Jane Canary (May 1, 1852 – August 1, 1903) was born today in 1852. She is, of course, better known as Calamity Jane. 

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Born in Mercer County, Missouri, Canary was the oldest of many siblings. Her father was a farmer. After some legal wrangling over land, the family sold their property and left Missouri in the early 1860s, heading for Montana gold. But they fell on hard times; her mother died in a mining camp in Blackfoot City, Montana, when Canary was about 9. After taking the children to Salt Lake City, her father died soon after.

Her life, already a hard one, became at that point the stuff of legend. As she became a dime-novel heroine and stage performer, she enlarged her myth with every new story. It is nearly impossible to know where the truth lies and who she really was. Well, she was and still is an intriguing oddity that fires the imagination.

Not surprisingly Calamity Jane has been portrayed by myriad actresses on the large and small screen. In the movies she has been played by Jean Arthur, Jane Russell, Yvonne De Carlo, Doris Day, Catherine O’Hara, Ellen Barkin–to name a few. On television Stephanie Powers, Anjelica Huston and Jane Alexander have attempted to represent her.

Of the movies I like The Plainsman (1936) with Jean Arthur as Calamity and Gary Cooper as Wild Bill Hickok.

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Directed by Cecil B. DeMille, it is a very exciting movie and Arthur and Cooper are well matched. I’m sure the plot has practically no basis in reality, but it is a good movie and Jean Arthur is no glamour girl. Cooper, as usual, is adorable.

I also like Anjelica Huston as Calamity in the 1995 TV mini-series Buffalo Girls, an adaption of the book by Larry McMurtry. Physically, she is the most like the real Martha Jane–tall and somewhat manly and with (we hope) a heart of gold.

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One of the most ridiculous presentations of Calamity Jane’s life is that put forth in the1953 musical Calamity Jane, starring Doris Day.

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But one can not help but love this rendition and Doris Day who always gives 110%. This film focuses on the relationship between Jane and Wild Bill (Howard Keel) and Doris gets to sing lyrics like: “At last my heart’s an open door / And my secret love’s no secret any more.” Yikes. The song won the Academy Award for Best Song that year, and with Doris singing, why wouldn’t it?

I think I will watch Doris in Calamity Jane because I DVR’d it when it was on TCM on her birthday a few weeks ago. Here’s a little something to whet your appetite:

So let’s raise a glass to Martha Jane Canary on her birthday, the American legend and the real woman, whoever she was.

*Attributed to Calamity Jane

What ever happened to predictability?*

by chuckofish

I have had a very busy week so today we are just going to ask the burning question: “Have you been watching Dancing With the Stars?”

I admit it–I have (it’s not like there’s anything else to watch on Monday night), and I must say there are a lot of good dancers this season.

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Those Olympic skaters are awesome. And what about the Paralympian girl with the prosthetic legs? She is really awesome!

But I have to say I am rooting for Candace Cameron Bure, aka D.J. Tanner.

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My kids grew up watching Full House (1987–1995)

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and daughter #1 always identified with Donna Jo Tanner, the oldest sister, who was a type-A good girl with big hair. They were like long-lost sisters. They even look alike.

D.J. Candace:

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and D.J. Daughter #1:

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So clearly we are on Team Candace Cameron. (I hope I haven’t jinxed her!) Who are you cheering for?

Also please note that today is the birthday of Doris Day ((born Doris Mary Ann Kappelhoff on April 3, 1922)! TCM will be showing 12 Doris Day films today so set your DVR! Check out the schedule here.

*Full House theme song–duh.

This is how my mind works

by chuckofish

So we all have been preoccupied recently with the year 1963, especially with the 50th anniversary of the assassination of President Kennedy.

So I got to thinking about what would be an appropriate movie to recommend as this Friday’s pick.

So I looked up the top-grossing films of 1963. You would not believe what fun movies are on that list! Indeed, many are favorites of mine. There is hardly a serious drama in the bunch. Here are the top 16, starting with #1:

Cleopatra, How the West Was Won, It’s a Mad, Mad, Mad, Mad World, Tom Jones, Irma la Douce, The Sword in the Stone, Son of Flubber, The Birds, Dr. No, The V.I.P.s, McClintock!, Charade, Bye Bye Birdie, Move Over, Darling, Come Blow Your Horn, The Thrill of It All,

and #17: The Great Escape.

I've missed him, have you?

I’ve missed him, have you?

It is kind of eye-opening. It was a different world back then and the movie stars were different too–Elizabeth Taylor, Audrey Hepburn, Doris Day, Debbie Reynolds, Shirley MacLaine, John Wayne and Steve McQueen and this guy:

Albert Finney, you were adorable

Albert Finney, you were adorable

Not to put too fine a line on it (or to be disrespectful), but it was all downhill from November 22, 1963. The world became a depressing and chaotic place.

I was just in the second grade that fall, but I have to say I have always gravitated to the early 1960s time period as a favorite era (see above list of movies).

Flyover blondes and me

Flyover blondes and me

I guess I was happy then. My parents were still fairly young and seemed happy and not un-hip to me. We had moved into a new (old) house. Things were on an upward trajectory. I suppose that’s why.

ANYWAY, How the West Was Won has always been in my Top Ten list.

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I went to see it at the movies with my best friend Trudie Glick (her birthday party) and it was practically the first movie I had ever seen at the movies. My 12 year-old brother, of course, had already seen it and he gave it an enthusiastic thumbs up. He told me about all the really good parts. I was pretty bowled over by it–remember, it was in Cinerama–and especially loved the magnificent musical score by Alfred Newman. It is the soundtrack by which I have judged all soundtracks since.

Charade, starring Audrey and Cary Grant, is another all-time favorite of mine.

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This rom-com is bright and light and much-copied. The original is always best! Stanley Donen’s direction is perfect–he made some great movies with Audrey Hepburn. And Cary Grant is on his A-game. Plus there is all that and wonderful European scenery and Henry Mancini music.

Move Over, Darling and The Thrill of It All are both terrific Doris Day vehicles, even with the B-Team James Garner (i.e. not Rock Hudson). The Thrill of It All in particular has been a favorite of our family: Happy Soap saved my life!

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So I leave it to you which movie to pick, but I recommend them all (maybe not Son of Flubber). No conspiracy theories for me this weekend.