dual personalities

Tag: Donald Hall

Masters of the trivial

by chuckofish

The Things

When I walk in my house I see pictures,
bought long ago, framed and hanging
— de Kooning, Arp, Laurencin, Henry Moore —
that I’ve cherished and stared at for years,
yet my eyes keep returning to the masters
of the trivial — a white stone perfectly round,
tiny lead models of baseball players, a cowbell,
a broken great-grandmother’s rocker,
a dead dog’s toy — valueless, unforgettable
detritus that my children will throw away
as I did my mother’s souvenirs of trips
with my dead father. Kodaks of kittens,
and bundles of cards from her mother Kate.

by Donald Hall

Trivial, we all know, means “of little value or importance.” Yes, it is true, most of my things are of no monetary value. But trivial in any other sense is in the eye of the beholder. To each his own, I say. I love my trivial pursuits.

The OM and I watched a great movie the other night–Kes (1969), an English film directed by  Kenneth Loach and based on the novel A Kestral for a Knave by Barry Hines. It is ranked seventh in the British Film Institute’s Top Ten (British) Films.

The story is about Billy Casper, a neglected working-class 15-year-old who finds solace and meaning training a kestrel, and it packs quite a punch. It is not an easy film to watch–so dreary and sad and sometimes it’s like watching a movie in a foreign language, so hard to understand are the Yorkshire accents–but it is well worth the effort. A wonderful film. The boy is perfect. We had DVR’d it on TCM, but you can rent it on Amazon Prime.

The world is more than we know.

“He knew then what it was that Liz had given him; the thing that he would have to go back and find if ever he got home to England; it was the caring about little things–the faith in ordinary life; the simplicity that made you break up a bit of bread into a paper bag, walk down to the beach and throw it to the gulls. It was this respect for triviality which he had never been allowed to possess; whether it was bread of the seagulls or love.”
― John le Carré, The Spy Who Came In From the Cold

“Those who wish to sing always find a song.”*

by chuckofish

Names of Horses

All winter your brute shoulders strained against collars, padding

and steerhide over the ash hames, to haul

sledges of cordwood for drying through spring and summer,

for the Glenwood stove next winter, and for the simmering range.

 

In April you pulled cartloads of manure to spread on the fields,

dark manure of Holsteins, and knobs of your own clustered with oats.

All summer you mowed the grass in meadow and hayfield, the mowing machine

clacketing beside you, while the sun walked high in the morning;

 

and after noon’s heat, you pulled a clawed rake through the same acres,

gathering stacks, and dragged the wagon from stack to stack,

and the built hayrack back, uphill to the chaffy barn,

three loads of hay a day from standing grass in the morning.

 

Sundays you trotted the two miles to church with the light load

a leather quartertop buggy, and grazed in the sound of hymns.

Generation on generation, your neck rubbed the windowsill

of the stall, smoothing the wood as the sea smooths glass.

 

When you were old and lame, when your shoulders hurt bending to graze,

one October the man, who fed you and kept you, and harnessed you every morning,

led you through corn stubble to sandy ground above Eagle Pond,

and dug a hole beside you where you stood shuddering in your skin,

 

and lay the shotgun’s muzzle in the boneless hollow behind your ear,

and fired the slug into your brain, and felled you into your grave,

shoveling sand to cover you, setting goldenrod upright above you,

where by next summer a dent in the ground made your monument.

 

For a hundred and fifty years, in the Pasture of dead horses,

roots of pine trees pushed through the pale curves of your ribs,

yellow blossoms flourished above you in autumn, and in winter

frost heaved your bones in the ground – old toilers, soil makers:

 

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.

–Donald Hall from Kicking the Leaves (1978)

Today we toast the poet Donald Hall (September 20, 1928 – June 23, 2018) whose birthday it is. I missed the fact that he died earlier this year.

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Hall published more than fifty books, from poetry and drama to biography and memoirs, and edited numerous anthologies, including  New Poets of England and America (1957; coedited with Robert Pack and Louis Simpson). He went to Exeter, Harvard and Oxford, had a successful career as an academic and editor, then happily went to live on his ancestral farm in New Hampshire and devoted himself to poetry. 

I remember this book from my children’s childhood.

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In other news, the wee babes dropped by my office yesterday and ran up and down the long hallways.

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They are both recovering from ear infections, so they didn’t stay long, but it was sure fun to see them and their daddy who brought them.

It is still pretty hot here in flyover country. I don’t know about you, but I’m ready for fall. Enough already.

*Plato