dual personalities

Tag: Charles Bronson

“Hey, Ma, how ’bout some cookies?”

by chuckofish

Raymond J. Eastwood
High Plains Range Land, 1950

A glorious three-day weekend is upon us. My office is officially closing at Noon today so it’s actually a three and a half day weekend! One more Zoom meeting to go and then I am free to putter around my house to my heart’s content. (Daughter #1 is driving home this weekend so I will do more than putter.)

Yesterday we had the electrician in our house all day fixing numerous things and (finally) installing a new ceiling fan in my ‘office.’ Hopefully nothing will break for awhile. Now we will have light in the basement again, so we have no excuses for getting back to work on all those boxes.

This week we watched a couple of old Charles Bronson movies: Breakheart Pass (1975) and Red Sun (1971). Breakheart Pass is a good western/mystery-on-a-train story written by Alistair Maclean and directed by Tom Gries. Red Sun is also a western with the added attraction of Toshiro Mifune as a samurai who joins forces with Bronson to retrieve a ceremonial Japanese sword.

Both movies offer lavish productions, good casts and excellent music. I enjoyed them. However, I can never watch a Charles Bronson movie without thinking of this:

Tomorrow is the birthday of Missouri native and legend Jesse James (1847-1882). Everyone knows that he and his brother Frank were American outlaws, bank and train robbers. Disenfranchised ex-Confederates, they wrecked havoc across the Midwest, gaining national fame and often popular sympathy. Jesse James has been portrayed in film by Tyrone Power, Roy Rogers, Rod Cameron, Audie Murphy, Clayton Moore, Robert Wagner, James Keach, Robert Duvall, Kris Kristofferson, Colin Farrell, and Brad Pitt, just to name a few. I tried to watch the Brad Pitt version of the Jesse James story, The Assassination of Jesse James by the Coward Robert Ford (2007) in preparation for this post, but it was unwatchable. I cut my losses halfway through. Like many 21st century films, it was more interested in the look and sound of the movie than the story or the characters. There was not one likable or interesting character. It was slow, it was boring. Worst of all, it was filmed in Canada and did not even look like Missouri.

There are many museums and sites devoted to Jesse James across the U.S. including several in his home state. The James farm in Kearney, MO is a house museum and historic site operated by Clay County. It was listed on the National Register of Historic Places in 1972. One can’t help but think his mother would be proud. I may have to add Kearney to my bucket list.

One of my favorite blogs, which I have read for years and whose author I admire, is ending (at least for the time being.) Times change and we roll with the punches and I applaud her decision to focus (without guilt) on her large and exuberant southern family. You go, girl!

I thought this piece from one of my favorites was very on point. “We have to decrease and defund our inner police so that Jesus can increase in us.” (Did you get the reference to John 3:30?) SO true!

Have a joy-filled weekend. Love where you are and who you’re with.

Another flyover first

by chuckofish

Today is the 151st anniversary of the Wild Bill Hickok–Davis Tutt shootout in the town square of Springfield, Missouri (July 21, 1865).  It is reputedly the first and one of the few recorded instances in the Old West of a one-on-one pistol quick-draw duel in a public place.

Wild Bill Hickok threatens the friend of Davis Tutt after defeating Tutt in a duel, in an illustration from Harper’s New Monthly Magazine, February 1867.

Wild Bill Hickok threatens the friend of Davis Tutt after defeating Tutt in a duel, in an illustration from Harper’s New Monthly Magazine, February 1867.

What began as an argument over gambling debts, turned deadly when Tutt took a prize watch of Wild Bill’s as collateral. Warned against wearing the watch in public to humiliate Wild Bill, Tutt appeared on the square on July 21, prominently wearing the watch. The two men then unsuccessfully negotiated the debt and the watch’s return. Hickok returned to the square at 6 p.m. to find Tutt once again displaying his watch. Wild Bill gave Tutt his final warning. “Don’t you come around here with that watch.” Tutt answered by placing his hand on his pistol.

Tutt was killed and Hickok was arrested and eventually brought to trial. The judge gave the jury two apparently contradictory instructions. He first instructed the jury that a conviction was its only option under the law. He then instructed them that they could apply the unwritten law of the “fair fight” and acquit, an action known as  jury nullification which allows a jury to make a finding contrary to the law. The trial ended in acquittal on August 6, 1865, after the jury deliberated for “an hour or two” before reaching a verdict of not guilty, which was not popular at the time. (Wikipedia)

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There’s a marker now on the street in Springfield where it all took place. Although the boy went to college in Springfield for a few years, I was unaware of (or had forgotten) this fun fact.

According to IMDB.com, Wild Bill Hickok has been portrayed on screen over 70 times by actors including William S. Hart, Gary Cooper, Bill Elliott, Richard Dix, Forest Tucker, Howard Keel, Guy Madison, Adam West, Robert Culp, Lloyd Bridges, Don Murray, Charles Bronson, Richard Farnsworth, Frederic Forrest, Josh Brolin, Sam Elliott, Sam Shepard, and Keith Carradine.

My favorite is probably Gary Cooper in The Plainsman (1936), but you have to love Charles Bronson as Wild Bill in White Buffalo (1877)–at least I do. Since I recently watched part of The Plainsman on TCM, I will watch White Buffalo (which we own!) tonight and toast Wild Bill Hickock one more time.

White Buffalo One Sheet

In case you’ve forgotten, White Buffalo is a Dino de Laurentis “disaster film/monster movie” from the 1970s–pretty darn terrible, especially the special effects–but it has its moments. Wild Bill gets to say things like,

“In the first place, the Great Spirit did not give you these hills. You took this land by force. You took it from the Cheyenne, the Shoshoni, and the Arapaho. You took it with the lance and tomahawk. Now the white man makes war on you. What’s the difference?”

and his mountain man friend, played by Jack Warden gets to say,

“Probably heard about the white buff on the moccasin telegraph.”

Political correctness had not been invented yet.

Speaking of Charles Bronson, I recently watched Red Sun (1971)–a western with an international cast: Charles Bronson, Toshiro Mifune, Alain Delon, Ursula Andress, and Capucine playing a Mexican named “Pepita”.

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After a train robbery, Bronson and Mifune (the Japanese ambassador’s bodyguard) team up to find Alain Delon and get back the stolen money and a Japanese sword. “2 Desperados … 1 Hellcat … and a Samurai”–well, you can imagine. Luckily Bronson and Mifune are awesome together and Alain Delon is really handsome, so it is hardly a waste of your time. And it’s definitely more enlightening/entertaining than watching either the Republican or Democrat conventions.

And then there’s this: