dual personalities

Tag: Cecil B. DeMille

Here I’ll stand though he should win*

by chuckofish

You are my war club, my weapon for battle— with you I shatter nations, with you I destroy kingdoms,

with you I shatter horse and rider, with you I shatter chariot and driver…

-Jeremiah 51:20-21

Sorry, I couldn’t resist another look at the boy.

In other news, I was sorry to hear that historian David McCullough had died. I admired him a lot. Here’s a short interview he did at Baylor University when he was there to give a speech in 2016. I was interested to see that he is a re-reader. “I think that reading is essential to not just education but to a good life, and I read a lot. I have to read so much history and biography as part of my work, but when I’m reading for pleasure I read fiction and reread fiction that I’ve read 20 or 30 years ago, and I find I don’t necessarily react to it as I did then –– whether I think it’s better than I thought it was then, that sort of thing. “

And, by the way, I watched The Buccaneer (1938) last night. It was a rousing adventure loosely based on the real-life pirate Jean Lafitte (Frederic March) who sided with the U.S.A. at an important juncture in American history.

Cecil B. DeMille was a real pro at mastering a cast of thousands. All the actors, especially Akim Tamiroff, perform admirably, but March is hampered by a bad fake French accent and he’s no Errol Flynn. Having said that, however, I think it’s a better movie than the Yul Brynner remake of 1958. Definitely worth watching!

The God of love and peace be with you on this fine day.

*Homer, The Iliad (Robert Fitzgerald, translator)

“We bring you…a tinsel and spun-candy world of reckless beauty and mounting laughter and whirling thrills”*

by chuckofish

Today is the birthday of Cecil B. DeMille (August 12, 1881 – January 21, 1959)–American film director and film producer in both silent and sound movies, Academy Award winner and Episcopalian.

demille

Only a fourth of his movies were talkies, but they include some mighty good ones.

I recently watched The Plainsman (1936) with Gary Cooper as Wild Bill Hickok and Jean Arthur as Calamity Jane. (I blogged about Calamity Jane back on May 1 and it took three months to get the DVD from Netflix–harumph.)

It is a very enjoyable movie, mostly because of its two stars. However, James Ellison, who plays the important role of Buffalo Bill, is kind of weak–good looking but no spark.

01b_1936 Plainsman, The (Ellison)

Gary Cooper, Helen Burgess and James Ellison

The difference between him and Gary Cooper is an object lesson in why some people become movie stars and others don’t.

DeMille doesn’t fool around with political correctness in this film: the Indians are the bad guys and they are scary. There is a lot of tension in the fast-paced, but historically incorrect plot. And the cinema technology is impressive. Although mostly shot on a sound stage, the impression of depth and three-dimensional action is suggested by the use of a screen, where previously filmed activity is projected, behind the primary shot. It is very clever and effective. Indeed, I was impressed by this 1936 film–so much more engaging than our computer-generated “action” pictures of today.

Anyway…join me, won’t you, in toasting old Cecil B. tonight! And if you can get your hands on a copy of The Plainsman, take a look.

I’ll also lift a glass to Robin Williams who died on Monday. I’ll blog about him later. Rest in peace.

Into paradise may the angels lead thee; and at thy coming may the martyrs receive thee, and bring thee into the holy city Jerusalem.
–BCP, Burial of the Dead, Rite I

*The Greatest Show on Earth (1952)