dual personalities

Tag: Art

What are you reading?

by chuckofish

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This past weekend I went to several really good estate sales. One was at the home of a woman who had gone to my school, graduating 20 years earlier. Clearly it was a home she had moved to after either getting a divorce or being widowed. You can always tell when this is the case, because the woman has painted the inside of the house pink and redone the closets to suit herself. She has said, in effect, finally I’m going to have things the way I like.

She had obviously been an avid needlepointer. I bought a couple of unfinished kits and two books.

One is a vintage copy of Mary Martin’s Needlepoint (1969)–a delightful look into the hobby and home of the famous Broadway star.

MMbook

You remember Mary Martin–she starred on Broadway in the original productions of Annie Get Your Gun,  South Pacific, The Sound of Music and a host of other shows.

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She took up needlepointing as a way to pass the time waiting in the wings offstage and on sets. She started BIG…with a rug!

Mary posing on "the rug" with other projects

Mary posing on “the rug” with other projects

“The Rug is known by a variety of names. It was the innocent, impulsive beginning—all five and a half by seven and a half feet of it!—of my doing needlepoint.”  She designed it herself, incorporating symbols that represented important aspects of her life. It took a few years, but she kept going. Impressive. Also impressive is the fact that she designed all her own work. No  kits for her! Her stitching is all very personal and heart-felt.

Through the years several of her friends found and bought antique samplers from the 18th and 19th centuries for her that included the name “Mary Martin” on them. Nice friends! Eventually she designed her own sampler incorporating motifs from shows that meant the most to her.

Mary's theater sampler

Mary’s theatre sampler

Mary Martin made pillows, purses, pictures, upholstered furniture, and more throughout her storied life. For needlepointers or theater-lovers, this is a fun book.

Meanwhile I continue to work my way through The Goldfinch by Donna Tartt. I am determined to finish this rather Dickensian opus, but I do think it is overly long. The author writes very well; we’ll see.

I must say that I believe I would get along famously with the author, who is considered one of the most reclusive contemporary authors around. Moreover, she’s indifferent to technology, avoids social media and does most of her writing by hand in notebooks. According to one of the very few articles I could find about her (in Business Day), “when her novels are released, she grants few interviews in which she reveals very little about herself. She’s known to become prickly when journalists dare suggest certain characters in her books are based on people she knows. Her private life is just that, private.”

What are you reading?

Lazarus, come forth!

by chuckofish

Sunday’s gospel lesson was John 11:1-45 which is a long lesson, the story of Jesus raising Lazarus from the dead. Our associate rector gave a really good sermon comparing the tomb of Lazarus to ourselves when we lose interest in life, when we are no longer fully alive. Our savior does not come into the tomb with us, but stands at the door and calls us to come out. I thought that he made a good point.

This made me think of the famous painting, the Light of the World by William Holman Hunt:

Hunt_Light_of_the_World

This is an allegorical painting illustrating Revelation 3:20: “Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will come in to him, and will sup with him, and he with Me”. The door in the painting has no handle, and can therefore be opened only from the inside, representing (according to Hunt) “the obstinately shut mind”.

Here are some artistic representations of Jesus calling Lazarus forth:

A 3rd century version

A 3rd century version

Giotto's version

Giotto’s version

Rembrandt's version

Rembrandt’s version

Carl Heinrich Bloch's version

Carl Heinrich Bloch’s version

Vincent Van Gogh's Lazarus

Vincent Van Gogh’s Lazarus

None of them do much for me. These images are, however, as Frederick Buechner says, “the wordless, eloquent, tongue-tied, clumsy, joyous and grieving cry of centuries” trying to depict the un-depictable.

But to get back to what I started to say…We must come forth and live our lives and do the work we are meant to do.

Robert Powell as Jesus calls Lazarus forth

Robert Powell as Jesus calls Lazarus forth

Thoughts? Discuss among yourselves.

Home again, home again

by chuckofish

I am home from my short, easy-breezy trip back east. I was smart this time and came home on Saturday so I had Sunday to de-compress and settle back into my world once again before heading to a jam-packed day at work on Monday. (And I also got a chance to clean up the house after the OM was alone for 4 days.)

Darling daughter #2 posted yesterday about my visit and she hit all the high points. We had a super fun time in and out of the City and in the suburban sprawl around it. We did what we love to do: estate-saled, looked at art, shopped at IKEA, went out to eat with her friends, drank wine, walked and talked.

Mmmm--diner food

Mmmm–diner food

But as a mother it is mostly wonderful to see where one’s beloved child lives and spends her time. Now I can picture where she is sitting when we talk on the phone. I know how she has arranged her things.

jewelry

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dog

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Her apartment is a block away from the picture-perfect U of Maryland sorority houses and also the Episcopal Church where my flyover friend Becky lived as a child when her father was the rector there.

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I saw her office in the English Department at school.

office

I guess only a mother (or parent) can understand how important all of this is. I feel the same way after visiting daughter #1 in NYC–relieved that she has made a home for herself and that she has nice friends and that she has carried something of her flyover home to her new abode.

Sigh.

'The Open Window' by Pierre Bonnard (1867-1947), The Phillips Collection

‘The Open Window’ by Pierre Bonnard (1867-1947), The Phillips Collection

And I have a magnet to remind me of my visit.

magnet

Some art for Wednesday: “Look at nature, work independently, and solve your own problems.”*

by chuckofish

Monday was the birthday of Winslow Homer (February 24, 1836 – September 29, 1910) whom readers of this blog know has always been one of my favorite artists. Like me, he came from a long line of New Englanders and so the landscapes he painted are both familiar and dear to me. Our mother was also a great admirer of Homer and we were introduced to his art at an early and impressionable age. What is not to like?

Here are a few of my favorites.

This poster hung on my dorm room wall in college. It can be seen on the bottom of this blog.

A print of this painting hung on my dorm room wall in college. It can be seen on the bottom of this blog.

My kind of guy

My kind of guy

The West Wind

The West Wind

Two Guides

Two Guides

This painting hangs in the Sterling and Francine Clark Art Institute in Williamstown, MA and I stared at it a lot in college.

This painting hangs in the Sterling and Francine Clark Art Institute in Williamstown, MA and I stared at it a lot in college.

Breezing Up

Breezing Up

Prisoners From the Front--I always loved this picture.

Prisoners From the Front–I always loved this picture.

I think they were going for that same look in this movie. (By the way, this is a terrible movie, but the stars did look great.)

Richard Harris and Charlton Heston in "Major Dundee" (1965)

Richard Harris and Charlton Heston in “Major Dundee” (1965)

A Visit From the Old Mistress, which mirrors the composition of the Prisoners From the Front painting

A Visit From the Old Mistress, which mirrors the composition of the Prisoners From the Front painting

For more pictures, here is a good slideshow from the National Gallery of Art.

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* Good advice for artists (and others) from Winslow Homer

Food for thought: fear not

by chuckofish

St. George window in the Princeton United Methodist Church by Tiffany Studio of New York City

St. George window in the Princeton United Methodist Church by Tiffany Studio of New York City

“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.

So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloud shadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.”

― Rainer Maria Rilke, Letters to a Young Poet

Alexander fighting dragons, Le livre et la vraye hystoire du bon roy Alixandre, Paris, c. 1420–25

Alexander fighting dragons, Le livre et la vraye hystoire du bon roy Alixandre, Paris, c. 1420–25

Kunisada dragon

Kunisada dragon

Arthur Rackham

Arthur Rackham

'St. George and the Dragon', by Wassily Kandinsky, 1911

‘St. George and the Dragon’, by Wassily Kandinsky, 1911

 'The Great Red Dragon and the Woman Clothed in Sun', by William Blake


‘The Great Red Dragon and the Woman Clothed in Sun’, by William Blake

The Reluctant Dragon by Maxfield Parrish

The Reluctant Dragon by Maxfield Parrish

*No cloud above, no earth below,— A universe of sky and snow!”*

by chuckofish

Yesterday’s post with the wonderful Hiroshige landscape got me thinking about my love of landscape paintings that include snow. I have always loved them. I don’t know why.

I have one in my kitchen which I love.

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I bought it on eBay and had it framed. It is a watercolor, painted by a talented amateur. Every day it makes me happy.

Here are a few examples of my favorite landscapes in snow:

Japanese, "Scouting Party near Niuzhuang on a Snowy Night" 1894

Japanese, “Scouting Party near Niuzhuang on a Snowy Night” 1894

Winslow Homer, "Fox Hunt" 1893

Winslow Homer, “Fox Hunt” 1893

Winslow Homer, "Sleigh Ride"

Winslow Homer, “Sleigh Ride”

Hiroshige, Bridge in Snow

Hiroshige, Bridge in Snow

Childe Hassam, "Melting Snow"

Childe Hassam, “Melting Snow”

Childe Hassam, "Heckscher Tower"

Childe Hassam, “Heckscher Tower”

Frederic Remington, "The Scout--Friends or Foes"

Frederic Remington, “The Scout–Friends or Foes”

Andrew Wyeth, Winter Landscape

Andrew Wyeth, Winter Landscape

Eric Sloane

Eric Sloane

Maxfield Parrish may be too popular to be “art”, but these are among my absolute favorites:

Maxfield Parrish, "Christmas Morning 1949"

Maxfield Parrish, “Christmas Morning 1949”

Maxfield Parrish, "White Birches in the Snow"

Maxfield Parrish, “White Birches in the Snow”

Aren’t they all wonderful? So many pictures, so little wall space left!

Well, onward to February! And have a nice weekend! Go, Broncos!

Peyton Manning...in the snow!

Peyton Manning…in the snow!

*John Greenleaf Whittier

A picture is worth a 1000 words

by chuckofish

littlegirl

 

I have always loved this illustration by Jessie Willcox Smith (1863 – 1935). I love the cranky little girl who has been sent to her room. I can relate. Her body language. Her droopy socks and carelessly dropped books. She is not a happy camper. And I am right there with that doll in time out. And isn’t that a wonderful wicker chair and pillow?

Smith was a prolific contributor to books and magazines during the late nineteenth and early twentieth centuries, illustrating stories and articles for clients such as Good Housekeeping and the Ladies’ Home Journal. She also illustrated many books, notably A Child’s Garden of Verses and The Seven Ages of Childhood.

Here is a selection of her wonderful pictures on Pinterest. Funnily enough, my favorite is not included, but aren’t they great?