dual personalities

Category: Movies

Deep thoughts for Friday

by chuckofish

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Do you have plans for the weekend?

I will probably watch more episodes of The Rockford Files because I cannot get enough, it seems, of watching ol’ James Garner struggle in and out of that Firebird.

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He tries gamely to make his aging athlete’s body do what he wants it to do, but the camera frequently catches him limping after some bad guy or another.

Well, I guess I can relate to the aging PI.

Anyway, I thought I would choose a movie with an aging hero in it for my Friday movie pick, but it’s not so easy to think of one! If you google “Movies about old people” or some variation on that theme, you get a list of terrible movies like On Golden Pond (1981)–the worst!

So here are a few suggestions of movies I like that feature an aging hero/heroine(s)–but no wimps or sentimental stereotypes:

Grumpy Old Men (1993) with Walter Matthau and Jack Lemmon–a classic.

GRUMPY OLD MEN, Jack Lemmon, Walter Matthau, 1993

Gran Torino (2008) with Clint Eastwood as a snarling old badass. Darn good.

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The Grey Fox (1982) with Richard Farnsworth in his first starring role at age 62–but good luck getting your hands on this one! I don’t think it has ever been released on DVD. Actually any movie with Richard Farnsworth would work in this category.

GREY FOX, Richard Farnsworth, 1982

Fried Green Tomatoes (1991) with Jessica Tandy as the amazing Ninny Threadgoode.

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Another along this line is Elizabeth Patterson as Miss Eunice Habersham in Intruder in the Dust (1949)–but then no one was better at writing old ladies than William Faulkner.

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True Grit (1969) with John Wayne as Rooster Cogburn or Rooster Cogburn (1975) with both Wayne and Katharine Hepburn–both playing aging badasses.

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Tom Horn (1980) with Steve McQueen in his last movie. This is a pretty sad one, because Steve was dying in real life and you can kind of tell. But it’s a good one, for sure.

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Here’s Steve with Richard Farnsworth and two lucky old ladies

Can you think of any others?

All of these oldsters make the forty-something Jim Rockford seem pretty young and with it in comparison. And me too.

Of course, if you prefer a more highbrow pursuit, you can read what Ralph Waldo Emerson had to say about Old Age here.

Have a good weekend!

Standin’ in the rain talkin’ to myself

by chuckofish

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I was reading The Secret History by Donna Tartt, which is her first novel, published when she was 29 years old. It is about a group of self-involved college students (classics majors) at a small, elite college in Vermont.

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The book has problems, but I can appreciate Tartt on different levels. Hailed as a literary star, she has won many awards. I usually find “stars” unappealing, but I have to admit she’s pretty darn good.

Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer’s landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filling in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end.

The problem is I don’t care anything about any of the characters. She makes me feel nothing for them. They are sociopaths with few (if any) redeeming qualities. They are not even very interesting as “bad guys.” Having gone to a school similar to the fictional Hampden College, I get it. But the jerks she writes about are her heroes and they are not, believe me, heroes. I read half of the 500+ page book, and then thought, no, this is not worth my time. I skimmed the rest and read the end. I do not feel guilty about this.

I read The Power of Her Sympathy, the autobiography and journal of the mid-19th century author Catharine Maria Sedgwick (December 28, 1789 – July 31, 1867). She lived in Stockbridge and was a descendant of Ephraim Williams, founder of Williams College, among other noteworthy ancestors. She is very appealing to me.

The first of our Sedgwick ancestors of whom I have any tradition was Robert Sedgwick, who was sent by Oliver Cromwell as governor or commissioner…As I am a full believer in the transmission of qualities peculiar to a race, it  pleases me to recognize in “the governor,” as we have always called him, a Puritan and an Independent, for to none other would Cromwell have given a trust so important. A love of freedom, a habit of doing their own thinking, has characterized our clan…Truly I think it a great honor that the head of our house took office from that great man who achieved his own greatness, and not from the King Charleses who were born to it and lost it by their own unworthiness.

Don’t you love that? Well, she was something of a literary star in her day as well. I will need to follow up with one of her novels–Hope Leslie or The Linwoods.

I tried The Round House by Louise Erhdrich, which won the National Book Award in 2012. Meh.

I may have to go back to Pierre. I could do a lot worse.

Now that we are over a week into Lent, I need to turn my movie watching to a more spiritual focus. I watched Cool Hand Luke (1967) a few weeks ago, and was reminded what a tremendous movie it is indeed.

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I highly recommend it as part of your Lenten fare.

But first, I will remind you that 71 years ago today 30,000 U.S. Marines stormed Iwo Jima. If you need a good reason to watch John Wayne in Sands of Iwo Jima (1949), here it is!

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And news alert: ninety-two percent of college students prefer reading a traditional book rather than an e-book, according to a new study.

Have a good weekend!

“Adversity is the crucible for greatness.”*

by chuckofish

I have seen a couple of good movies recently which I heartily recommend for your weekend viewing.

Woodlawn (2015), directed by Andrew Erwin–MV5BMTA0ODM5MTM5MTleQTJeQWpwZ15BbWU4MDAwNzk1NDYx._V1_UY1200_CR119,0,630,1200_AL_It is a “Christian” movie and a very rousing one I thought. When I attended a conference last summer at the University of Alabama, Jeremiah Castille, Bama grad and a former NFL football player, gave the keynote address. At the end he mentioned that his son Caleb was making a movie, so I had been on the lookout for it. It was released on dvd last week. The film tells the story of how one Birmingham high school (Woodlawn) was integrated in 1973 and how the football team that was converted together helped to ease racial tensions. There are a few well-known actors in the movie–Jon Voight (as Bear Bryant), Sean Astin and Nic Bishop–but the rest are for the most part newcomers like Caleb Castille (on the poster above). They are all excellent and the production values are very high. I was impressed.

The Man From U.N.C.L.E. (2015), directed by Guy Ritchie–

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Everyone my age watched the original The Man From U.N.C.L.E. on TV in the 1960s. My dual personality, in fact, had a huge crush on David McCallum who played Ilya Kuryakin. (He was probably her first crush ever since she was a kindergartner at the time.) Well, let me tell you that Armie Hammer as the new Ilya is pretty adorable, and, boy, can he drive a speed boat. He definitely steals the show. Henry Cavill is appropriately cool as Napoleon Solo and I really liked Alicia Vikander as Gaby. The direction by Guy Ritchie is stylish and fast-moving without being too stylish and fast-moving, if you know what I mean. The ’60s vibe is strong but does not take over. I really enjoyed the whole thing.

I also watched the truly terrible Of Human Bondage (1934) starring an awful Bette Davis. It was worth it to see Leslie Howard who, as always, was quite appealing and redeemed the movie somewhat. Reportedly Bette did her own make-up and thought she deserved to win an Oscar for looking so bad, but her fake accent and over-acting are really quite heinous.

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If you are a Vin Diesel fan like me, you might like The Last Witch Hunter (2015) about the guy who “stands between humanity and the combined forces of the most horrifying witches in history.”

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Vin co-stars with Michael Caine and Elijah Wood in what is basically a comic book-movie hoping to spawn money-making sequels. It was enjoyable, but you would be better served to watch one of the first two movies described above.

P.S. I nearly forgot that Valentine’s Day is Sunday. Well, it’s just not on my radar these days. If you want appropriate Valentine viewing suggestions, I blogged about romantic movies/screen kisses here. Of course, there is nothing like Nelson Eddy and Jeanette MacDonald for romance. Here’s a great one to sing along with now:

Have a good weekend! I am co-hosting a baby shower for the daughter of a friend, so I will be knee-deep in gender-neutral baby stuff. How about you?

*Tandy Gerelds, the coach, in Woodlawn

“I am a ham! And the ham in an actor is what makes him interesting.”*

by chuckofish

I have posted a lot about movies recently, so you will probably be all, oh, another blogpost about old movies.

But today happens to be the birthday of the great character actor and Episcopalian John Carradine (February 5, 1906 – November 27, 1988), so how could I not?

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Hatfield in Stagecoach (1939)

He had one of those truly amazing careers spanning 60 years (1930-1990) where he made literally hundreds of movies–by some counts over 300. He was in some of the best movies ever made in Hollywood (Stagecoach, The Grapes of Wrath)

As Casey in The Grapes of Wrath

As Casy in The Grapes of Wrath (1940)

and some of the worst (too many to count involving mummies, zombies and even sex kittens).

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Dracula in Billy the Kid vs. Dracula (1966)

Well, he was a real working actor, and he had quite a range. He was even the voice of the Great Owl in The Secret of NIMH (1982)!

But he never was even nominated for an Oscar. They threw him a bone with a star on the Hollywood Walk of Fame. Sigh.

In honor of his birthday, I suggest we watch one of his good movies–

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Caldwell in Drums Along the Mohawk (1939)

Drums Along the Mohawk (1939) or The Man Who Shot Liberty Valance (1962) or The Proud Rebel (1958) or The Shootist (1976) or even Peggy Sue Got Married (1986), a movie I like a lot.

His funeral was held at St. Thomas the Apostle in Hollywood. His ashes were scattered at sea.

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And, yes, I will be watching at least part of Super Bowl 50–I can’t miss my Peytie Pie!

Dec 14, 2014; San Diego, CA, USA; Denver Broncos quarterback Peyton Manning (18) and quarterback Brock Osweiler (17) before the game against the San Diego Chargers at Qualcomm Stadium. Mandatory Credit: Jake Roth-USA TODAY Sports

Enjoy the weekend!

*John Carradine

“I hope you have the pleasure of buying me a drink on your next payday.”

by chuckofish

Yesterday was the birthday of the great director John Ford (February 1, 1894 – August 31, 1973). In fact, he is probably the greatest of all film directors. Even Bergman and Kurosawa looked up to him.

"Stagecoach" 1939

“Stagecoach” 1939

When I was watching Red River (1948) the other day, which is directed by the great Howard Hawks, I kept thinking, “This is good, but it would have looked so much better had John Ford directed.” There are some good shots in this movie–notably of the swarming cattle herd–but he never gets the huge vistas that Ford would have had. You never get the sense of the size of Texas or the sky in Kansas. Most of it looks like it was filmed on a soundstage with bad lighting. John Ford would have opened it up.

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The iconic approaching storm scene in “She Wore a Yellow Ribbon” 1949

"The Searchers" 1956

“The Searchers” 1956

A lot of Ford’s success is due to his close association with two great cinematographers, with whom he worked on many of his greatest films: Winton C. Hoch (3 Godfathers (1948), She Wore a Yellow Ribbon (1949), The Quiet Man (1952), and The Searchers (1956); and Bert Glennon: Stagecoach (1939), Young Mr. Lincoln (1939), Drums Along the Mohawk (1939), Rio Grande (1950), Wagon Master (1950), Sergeant Rutledge (1960).

He knew how to pick ’em. And he knew how to cast. His ensemble casts are second to none.

"The Long Voyage Home" 1940

“The Long Voyage Home” 1940

He won four Best Director Oscars–for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1942), and The Quiet Man (1952).

"How Green Was My Valley" 1940

“How Green Was My Valley” 1942

He won two more  Academy Awards for best Documentary–The Battle of Midway (1942) and December 7th (1943). Of course, not one of them was for a western. There are so many for which he should have at least been nominated–The Searchers (1956) and My Darling Clementine (1946) chief among them.

I’m  not saying that all his films are great. In fact, they are quite inconsistent. He can succumb to a weepy Irish sentimentality which is unfortunate and can be embarrassing. Any movie involving James Cagney, Tyrone Power, Grace Kelly, Spencer Tracy, and/or English history (yes, I’m thinking Mary of Scotland) should be avoided. But even these can be entertaining and worth watching.

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John Wayne and Henry Fonda were never better than under the direction of John Ford. And John Ford had the good sense to use them often. He famously cast the relatively unknown John Wayne in Stagecoach when the producer wanted Gary Cooper and Marlene Dietrich. The result using the big stars would have been a good movie, but Marlene would have taken over and Gary would have been all aw shucks and adorable–standard fare.

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Directors who copied his style have made a lot of standard movies. His never were.

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John Wayne gave the eulogy at his funeral.

So a toast tonight to the great John Ford!

Sgt. Beaufort in Fort Apache (1948)

“It’ll get a terrific laugh.”*

by chuckofish

Today is the birthday of Ernst Lubitsch (January 29, 1892 – November 30, 1947) who, you will recall, was a German-American film director, producer, writer, and actor back in the day. His urbane comedies of manners gave him the reputation of being Hollywood’s most elegant and sophisticated director. His movies were famous for “the Lubitsch touch.”

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The story goes that, leaving Lubitsch’s funeral, Billy Wilder ruefully said, “No more Lubitsch.” William Wyler then responded, “Worse than that. No more Lubitsch pictures.”

Anyway, he made a lot of really good movies with the likes of Greta Garbo, Jeanette MacDonald, Maurice Chevalier, Gary Cooper, Frederic March, Miriam Hopkins etc. He also knew how to use character actors like Edward Everett Horton and Zasu Pitts to their best and most hilarious advantage. Think of Iranoff, Buljanoff and Kopalski in Ninotchka (1939). Think of the acting troupe in To Be or Not to Be (1942).

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And actresses like Carole Lombard and Greta Garbo were at their sexiest and funniest–Garbo laughs!–with Lubitsch.

Indeed, Ernst Lubitsch personified what is missing in Hollywood today–humor without vulgarity. His films had class. Sure, there was plenty of innuendo, but it was all done with a light touch.

Maria Tura: It’s becoming ridiculous the way you grab attention. Whenever I start to tell a story, you finish it. If I go on a diet, you lose the weight. If I have a cold, you cough. And if we should ever have a baby, I’m not so sure I’d be the mother.

Josef Tura: I’m satisfied to be the father.

Of course he never won an Oscar for directing–only a special Academy Award for his “25-year contribution to motion pictures.”

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They say The Shop Around the Corner (1940) was his own favorite. FYI it is the movie You’ve Got Mail (1998) is based on.

Turner Classic Movies (TCM) is showing several of Lubitsch’s best comedies today, so check the schedule here and set your DVR.

I know who I’ll be toasting and what I’ll be watching tonight!

*Greenberg in To Be or Not to Be (1942)

“To England, and the Queen!”*

by chuckofish

446px-Elizabeth_I_in_coronation_robesOn this day in 1559, Elizabeth I was crowned and anointed Queen of England and Ireland in Westminster Abbey. “Queen Elizabeth of famous memory—we need not be ashamed to call her so! …that Lady, that great Queen.” (Oliver Cromwell, 1656)

It only seems appropriate that our Friday Movie pick be a film about this great queen or, at least, featuring her as a character. Here are a few of my favorites:

1. Elizabeth (1998) starring Cate Blanchett as Elizabeth, with Geoffrey Rush and Joseph Fiennes–a really great movie!

MV5BMjA2NjM1MzUwOF5BMl5BanBnXkFtZTYwMDIxMTU5._V1_SY317_CR6,0,214,317_AL_2. The Private Lives of Elizabeth and Essex (1939) with Bette Davis as Elizabeth and Errol Flynn as Essex in the film version of the Maxwell Anderson play. Bette Davis is over the top a little much but it’s always a treat to watch Errol…although you can kind of tell they hated each other in real life.

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3. The Sea Hawk (1940) starring Errol Flynn and incidentally, but memorably, Flora Robson as Elizabeth.

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4. Fire Over England (1937) with Flora Robson (again) as the queen and Laurence Olivier as a court spy. This is a good one and I really like Flora Robson as the queen. Like The Sea Hawk, this historical drama is really a propaganda piece for England in WWII. What can I say–it works.

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5. Shakespeare in Love (1998) with Judi Dench as the Queen. She won an Oscar for her portrayal which amounted to a couple of good scenes in an exceptional movie.

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There are literally dozens of movies and mini series about the great queen you could watch–these are just my favorites. What are yours?

Since I just recently watched Shakespeare in Love again, I think I will watch Cate Blanchett as Elizabeth, which I haven’t seen in awhile.

*The Sea Hawk

“How could I have known that murder could sometimes smell like honeysuckle?”

by chuckofish

Come now, you’ve never read an actuarial table in your life, have you? Why they’ve got ten volumes on suicide alone. Suicide by race, by color, by occupation, by sex, by seasons of the year, by time of day. Suicide, how committed: by poison, by firearms, by drowning, by leaps. Suicide by poison, subdivided by *types* of poison, such as corrosive, irritant, systemic, gaseous, narcotic, alkaloid, protein, and so forth; suicide by leaps, subdivided by leaps from high places, under the wheels of trains, under the wheels of trucks, under the feet of horses, from *steamboats*. But, Mr. Norton, of all the cases on record, there’s not one single case of suicide by leap from the rear end of a moving train. And you know how fast that train was going at the point where the body was found? Fifteen miles an hour. Now how can anybody jump off a slow-moving train like that with any kind of expectation that he would kill himself? No. No soap, Mr. Norton. We’re sunk, and we’ll have to pay through the nose, and you know it.

Did you watch Double Indemnity (1944) last night? It was on TCM as part of their Star of the Month–Fred MacMurray–repertoire.

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It is the ultimate noir film and, in my opinion, just a great movie. It is certainly Fred MacMurray’s best movie. And Barbara Stanwyck, although she has seldom looked worse, is terrific.

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Edward G. Robinson, playing against type as is MacMurray, is wonderful in the good guy role.

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However, it is the sharp dialogue and grim, realistic narration written by Raymond Chandler that makes the movie. I mean, no one before or since writes like him. Many have tried, but no one comes close.

It was nominated for seven Oscars, including Best Picture, Actress, Director, Screenplay, Cinematography, Music, and Sound. It won nothing. (Why wasn’t Fred nominated? And E. G. R.?) This was the year Going My Way won a bunch–hello, please!–but you know, the war was raging…voters went for sentimentality and breezy Bing Crosby, not a gritty crime drama.

Sigh.

Well, if you missed it, you might want to look it up. It’s a good one.

Friday forecast

by chuckofish

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Well, here we go…and since I have no big plans for the weekend, that’s okay with me. It may be a good time to hunker down and resurrect a needlepoint project. Or clean out the “craft closet.”

I will find something to do.

Tonight I will definitely toast Elvis Aaron Presley (January 8, 1935 – August 16, 1977) on his birthday

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and perhaps watch one of his movies.

Okay, it’s settled. Have a great weekend!

“It’s alright, Ma”*

by chuckofish

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Well, the holidays are officially over.

It was a busy long weekend. First I took down the little tree.

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Then the mantle.

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Then I moved on to the big tree.

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Soon all that was left was a pile of pine needles, some of which will still be around next year when we put up the next tree.

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In between we celebrated the New Year with friends and had the boy and daughter #3 over for dinner on New Year’s Day. We watched 3 Godfathers (1947), my favorite movie about the three wisemen, with them.

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I also watched Bridge of Spies (2015)–pretty average–and A Walk In the Woods (2015)–pretty disappointing.  I was hoping it would cheer me up, but considering it is based on a book by Bill Bryson, it was remarkably devoid of humor. Furthermore, Robert Redford is way too old and tired looking to play Bill Bryson, who wrote the book when he was 47. Redford is 79 and, despite what he may think, he looks it. His boyishly cut, dyed red hair looks ridiculous. Nick Nolte looks every one of his 74 years and more. Indeed, he appears to be at death’s door and like he wouldn’t make it 100 yards on the Appalachian Trail in real life. Cleary their backpacks were filled with bubble wrap.

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There was a lot of great scenery, which I appreciated, and the music featured songs by the band Lord Huron. (My dual personality gave me one of their CDs for Christmas and I had coincidentally been listening to it a lot over the weekend during my clean up efforts. BTW the CD is really good.) But, boy, it could have been so much better if it had been cast differently.

Anyway, I am now ready to face the new year at work today. The holidays were great fun, and I will miss my girls. But it’s alright, Ma, it’s life, and life only.

*Bob Dylan. (Yes, I would have spelled it “all right”…)